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Always Free

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residency

upcoming
Oct 3, 2026–Feb 14, 2027

Composers in Residence

Close-up of a synthesizer interface featuring various control knobs and input/output jacks. The panel includes labeled sections for "Control Inputs," "Control Voltage Outputs," and "Parameter Articulation," with adjustable knobs for pitch, timbre, index, level, and filter settings. Below, there are metal plates with numbered labels arranged in rows. The surface is made of wood, providing a warm contrast to the metallic components.

Martin Bartlett, Buchla 400 Synthesizer, c. 1960s (detail). Courtesy the Martin Bartlett Fonds, Special Collections and Rare Books, SFU Library

Gibson Art Museum

Kiran Bhumber, Robyn Jacob, Andromeda Monk, Justin Devries

In conjunction with the exhibition Martin Bartlett: Begin Anywhere, the Gibson Art Museum hosts four Vancouver-based composers who will critically re-examine the city's rich history of experimental and electronic music. Working directly with two instruments central to Bartlett's practice—his hand-built modular synthesizer, known as the "Black Box," and extremely rare Buchla 400 module—the composers will create new works inspired by Bartlett's legacy and the wider electroacoustic music community that shaped Vancouver's cultural landscape.

Led by composer and researcher Justin Devries, the residency brings contemporary musicians into dialogue with Vancouver's experimental music history. By engaging with Bartlett's instruments, the project examines how historical technologies and artistic practices continue to inform new creative possibilities today.

The participating composers represent diverse approaches to contemporary composition: Robyn Jacob draws on contemporary classical music as well as Indonesian musical traditions, reflecting influences that were important to Bartlett and the West Coast experimental music scene. Andromeda Monk works with feedback and electronic sound systems, exploring processes of interaction and emergence which echo the work of influential experimental composers such as Pauline Oliveros and David Tudor. Kiran Bhumber combines composition with research into interactive electronic music technologies, extending a field in which Bartlett was an early pioneer through his work with custom software and emerging computer systems. Justin Devries brings more than seven years of research into Bartlett's life, work, and impact on Vancouver's cultural history, alongside an active practice as a composer and performer.

The residency will span the length of the exhibition and will find the composers working directly in the Gibson’s galleries with Bartlett's synthesizers to develop new compositions. Their research will culminate in a public performance debuting their new compositions on the final day of Martin Bartlett: Begin Anywhere.

This residency is made possible with project funding from Canada Council for the Arts

Generously supported by Arlene James, Coleen and Howard Nemtin, Martha and Ron Burnett, and other Friends of the Gibson

Artists

  • Kiran Bhumber
  • Robyn Jacob
  • Andromeda Monk
  • Justin Devries

Images (4)

A woman with long, wavy hair is standing in profile at a microphone, speaking confidently. She is wearing a fitted brown top and dark pants. In front of her, there is a small round table with a laptop, a microphone, and sound equipment. The background is dimly lit, focusing attention on the speaker.
A man with a mustache is standing on a rocky shoreline, wearing a plaid flannel shirt and a black cap. The background features the ocean and a light-colored sky during dusk. The focus is on the man's smiling face, with rocky formations in soft focus around him.
A close-up black-and-white portrait of a person with long, dark hair, slightly turned to the side, against a backdrop of leafy bamboo. The lighting highlights their facial features, including a calm expression and subtle makeup.
A person with short hair wearing a patterned dress sits on a bed, using a music production device. They are wearing headphones and appear focused while positioned in front of a window with plants nearby. The room has a cozy atmosphere with varied greenery.

Kiran Bhumber ਕਿਰਨਦੀਪ ਕੌਰ ਭੰਬਰ (she/her) is an Indo-Canadian interdisciplinary media artist, composer, performer, and educator. Her work results in constructing interactive installations and performances that examine movement, touch, and performativity. As a composer, Bhumber’s practice centers around multichannel and spatial arrangements and how the choreography of sound can influence the listeners notion of space, time and narrative. Bhumber co-created Telepresence, a VR performance presented by Western Front, and was a composer and sound designer for Tidal Traces, a VR 360 dance film with the National Film Board of Canada. Her work has been presented at MUTEK Japan, SXSW, and Cannes Film Festival, among others. Bhumber is a co-director of INTER/MEDIATE, a media art educational festival focused on cultivating growth within Vancouver’s media art communities and empowering marginalized communities. Bhumber is also a Sundance New Frontier alumni. 

Robyn Jacob is a composer, pianist, vocalist and educator living and working from the unceded territories of the Sḵwxwú7mesh, Xwməθkwəyəm and Səl’il’wətaʔ Nations. She has completed commissions for ensembles such as Grammy winning Third Coast Percussion (Chicago), Architek Percussion (Montreal), Grammy winning Sō Percussion (Brooklyn), Chor Leoni (Vancouver), and the Victoria Symphony, and has collaborated with visual artists, instrument makers, dance and theatre. Her debut record of concert music New Forevers was released in 2026 on Redshift Records. Her avant-pop project Only A Visitor (Mint Records) has toured internationally and released four albums to date. Jacob has released two albums with her duo project The Giving Shapes in collaboration with harpist Elisa Thorn. Her new solo project Immix explores the vocoder as its own instrument, digging into the emotive narratives of voice and electronics to find an emergent vocabulary hidden within the glitch and grain of synthesized voice. From 2012 to 2024 she was part of the multi-disciplinary art collective Publik Secrets, whose work included a variety of public space interventions, performances, installations and ephemeral gatherings, including Gamelan Bike Bike, which she co-led with artist and composer George Rahi for over ten years. Jacob is currently one of the members of the Five Blessings Collective, whose work celebrates the complexities found within stories and traditions from the Chinese diaspora through songs, audio plays, film and staged works.

Andromeda Monk is an improviser, composer, and multi-instrumentalist. Over the past two decades her music career has taken many turns, from jazz saxophone to avant-pop songs to no-input mixing board noise to synth soundscapes. She has played in over a dozen bands including folk group Olenka & the Autumn Lovers, twee-pop outfit Thee AHs, and avant-big band Space Elevator. Her last big project was producing the pop album It’s About Time! by Future Star, released on Mint Records in 2024. In recent years Monk has appeared at Suoni Per il Popolo in Montreal, Active/Passive on Galiano Island, and the Vancouver International Jazz Festival. She is currently living with myalgic encephalomyelitis/chronic fatigue syndrome and learning to pace her music practice while disabled, integrating her acoustic and electronic selves, and falling in love with the guitar. When Monk is not music-ing she is probably reading fiction. She lives on the unceded lands of the Sḵwxwú7mesh, Xwməθkwəyəm and Səl’il’wətaʔ peoples.

Justin Devries is a musician and historian whose work lies at the intersections of percussion, electronics, and experimental composition techniques. His recent historical work investigated local settler interactions with experimental electronic musics and Indonesian musics in Vancouver from the 1960s to the early 1990s through the life and work of Martin Bartlett, completing an MA thesis in 2024 which provides one of the most comprehensive overviews of Bartlett’s life to date. His subsequent writing on Bartlett was also published in The Urban History Review/Revue d'histoire urbaine. His composition work includes the debut album of his group Universal Affirmation Ensemble, titled Unconditional Propositions and released on the USA-based Katutu Collective, as well as the piece Abu Masuk Tanah (Heart’s Contents)on the USA and Indonesia-based recording collective Insitu Recordings. Devries is a well-travelled percussionist, having performed locally and internationally as a percussionist with the bands Loving, Ora Cogan, Yawn, Jo Passed, Elisa Thorn, and many others, including on festival stages such as Pitchfork Festival Paris, Le Guess Who International Music Festival in Utrecht, London’s Mirrors Festival, and the Vancouver International Jazz Festival. He lives on the unceded territory of the Sḵwxwú7mesh, Xwməθkwəyəm and Səl’il’wətaʔ peoples.