Mission

The Marianne and Edward Gibson Art Museum fosters inclusive learning and critical inquiry for everyone through innovative visual arts programming at Simon Fraser University.

A modern art museum is depicted in the image, featuring a contemporary design with large glass windows and a curved entrance canopy. The structure is surrounded by greenery, including trees and colorful plants. In the foreground, a parking lot is visible with a few people walking and standing near the entrance, while the sky above features soft clouds and a warm glow from the setting sun.

East Façade and Entrance, view from Burnaby Mountain Transit Hub. Image courtesy The Mirage Studio and SFU Galleries.

Purpose & History

The Marianne and Edward Gibson Art Museum’s purpose is to encourage open and inclusive learning about our past, current, and future worlds by supporting the work of critically engaged and research-driven visual artists. We organize exhibitions, public commissions, publications, residencies, and a diverse array of public programs, within the context of Simon Fraser University—a public research university known for its radical beginnings and commitment to community engagement and interdisciplinary research.

Over the past four years, our priority work has been focused on developing the Marianne and Edward Gibson Art Museum, a new, purpose-built facility on Burnaby Mountain. Upon its launch in Fall 2025, the Gibson consolidates SFU Galleries' activities into a single, larger, and vastly more accessible spatial platform, capable of serving far broader audiences. We know that art galleries on university campuses have historically been exclusionary, so our goal in developing the Gibson has been to listen to and learn from underserved communities in order to challenge prevailing ideas about visual art spaces (themselves shaped by assimilationist western pedagogies). Our aim is to create a new kind of art museum that lowers barriers to those who have historically felt excluded, embraces intergenerational, decolonial learning, and encourages cross-disciplinary inquiry and meaningful encounters with art.

The Gibson stands on the stolen ancestral territories of the xʷməθkwəy̓əm, Skwxwú7mesh, Səl̓ílwətaɬ, and kʷikʷəƛ̓əm Nations. Acknowledging that the activities of the Gibson Art Museum unfold on colonized Indigenous land is a recognition that settler colonialism is an ongoing structure. It is also a commitment to support the capacity of art to unsettle these conditions.

Team & Governance

Director
Kimberly Phillips, PhD (she/her) 
kimberly_phillips@sfu.ca 
604–396–6154 

Collections Manager  
Sydney Laiss, MI, MMSt (she/her) 
sydney_laiss@sfu.ca 
778–782–4266 

Communications and Access Manager  
Russell Gordon
russell_gordon@sfu.ca 

Exhibitions Manager 
Susanna Browne, MFA (she/her) 
susanna_browne@sfu.ca 

Curator of Learning 
Pietro Sammarco

Head Preparator  
Mackenzy Albright, MFA (they/them)
mackenzy_albright@sfu.ca 
604–396–6154 

Visitor Experience & Services Manager 
vacant 

Curatorial Assistant: Research & Programs 
Joshua Segun-Lean, MA (he/him)

Collections Assistant 
Tracy Ho (she/her) 

Front of House Attendant 
Lily Lê (she/they) 

Collections Assistant Intern 
Amy Dai (she/her)


Advisory Committee 

Daina Augaitis
Chief Curator and Director Emerita at the Vancouver Art Gallery and Independent Curator (External) 

Sabine Bitter
Professor, SFU School for the Contemporary Arts 

Justine A. Chambers
Assistant Professor of Dance, SFU School for the Contemporary Arts 

Jeff Derksen
Professor, SFU Department of English

Peter Dickinson
Professor Director, SFU School for Contemporary Arts (Chair)

Samir Gandesha
Professor, Humanities, and Director of SFU Institute for the Humanities

Elspeth Pratt
Professor, SFU School for the Contemporary Arts


Digital Accessibility Consultant (ongoing) 

Kay Slater 
 

Accessibility and Inclusivity Consultants (2021-22) 

mia susan amir 
Siobahn Barker 
Jotika Chaudhary 
Ada Dragomir 
Raven John 
Kizzy Norris 
Carmen Papalia 
Kay Slater