Mission

The Marianne and Edward Gibson Art Museum fosters inclusive learning and critical inquiry for everyone through innovative visual arts programming at Simon Fraser University.

A modern building features a combination of glass and stone exteriors, with a large overhanging metal canopy at the entrance. The structure is set against a backdrop of trees, and landscaped greenery with low shrubs and lighting fixtures lines the pathway leading up to it. The sky is clear and blue, contributing to a serene atmosphere.

 Exterior view of the Marianne and Edward Gibson Art Museum.

Ema Peter Photography

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A contemporary art gallery interior featuring a large wooden circular sculpture mounted on a white wall. In the background, the words "Edge Effects" are displayed on another wall, alongside a doorway leading to an exhibition space filled with colorful artworks. Natural light streams in through a large window, illuminating the minimalist architecture.

Installation view of Edge Effects at Marianne and Edward Gibson Art Museum. Featuring Salish Owl (2018) by John Marston (Qap’u’luq) (left).

Ema Peter Photography

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A spacious art gallery features a light wood floor and large windows allowing natural light to fill the room. A group of people is gathered in the center, engaged in conversation, while others move through the space. The walls are made of light-colored bricks, and a circular wooden display counter is visible. A carved wooden artwork hangs on the wall to the right. The ceiling shows exposed wooden beams and track lighting.

The opening event of the Marianne and Edward Gibson Art Museum

Ema Peter Photography

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A vibrant art exhibition features colorful, eclectic artwork displayed on the walls and hanging from the ceiling. Various groups of people are engaged in conversation and exploring the displays. In the foreground, a woman sits on a wooden bench, listening to audio, while others move around a gray display table in the center. The space has wood flooring and ceiling beams, with ample lighting showcasing the art.

The opening event of the Marianne and Edward Gibson Art Museum, with work by Patrick Cruz and Lucien Durey in the background.

Ema Peter Photography

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A spacious art gallery features a wooden ceiling and large windows allowing natural light. The walls are adorned with several framed artworks, predominantly in muted tones. A diverse group of people mingles and interacts in the foreground, with some standing still while others are in motion, suggesting a lively atmosphere.

The opening event of the Marianne and Edward Gibson Art Museum, with work by Liz Magor in the background.

Ema Peter Photography

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A modern building with large glass windows is framed by tall pine trees. The structure features a mix of materials, including brick and wood, with warm interior lighting visible through the glass. The scene is set during dusk, with a clear sky above and landscaped ground in the foreground.

Exterior view of the Marianne and Edward Gibson Art Museum.

Ema Peter Photography

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Purpose & History

The Marianne and Edward Gibson Art Museum’s purpose is to encourage open and inclusive learning about our past, current, and future worlds by supporting the work of critically engaged and research-driven visual artists. We organize exhibitions, public commissions, publications, residencies, and a diverse array of public programs, within the context of Simon Fraser University—a public research university known for its radical beginnings and commitment to community engagement and interdisciplinary research.

Over the past four years, our priority work has been focused on developing the Marianne and Edward Gibson Art Museum, a new, purpose-built facility on Burnaby Mountain. Upon its launch in Fall 2025, the Gibson consolidates SFU Galleries' activities into a single, larger, and vastly more accessible spatial platform, capable of serving far broader audiences. We know that art galleries on university campuses have historically been exclusionary, so our goal in developing the Gibson has been to listen to and learn from underserved communities in order to challenge prevailing ideas about visual art spaces (themselves shaped by assimilationist western pedagogies). Our aim is to create a new kind of art museum that lowers barriers to those who have historically felt excluded, embraces intergenerational, decolonial learning, and encourages cross-disciplinary inquiry and meaningful encounters with art.

The Gibson stands on the stolen ancestral territories of the xʷməθkwəy̓əm, Skwxwú7mesh, Səl̓ílwətaɬ, and kʷikʷəƛ̓əm Nations. Acknowledging that the activities of the Gibson Art Museum unfold on colonized Indigenous land is a recognition that settler colonialism is an ongoing structure. It is also a commitment to support the capacity of art to unsettle these conditions.

Team & Governance

Director
Kimberly Phillips, PhD (she/her) 
kimberly_phillips@sfu.ca 
604–396–6154 

Collections Manager  
Sydney Laiss, MI, MMSt (she/her) 
sydney_laiss@sfu.ca 
778–782–4266 

Communications and Access Manager  
Russell Gordon
russell_gordon@sfu.ca  
236–308–2430 

Exhibitions Manager 
Susanna Browne, MFA (she/her) 
susanna_browne@sfu.ca 

Curator of Learning 
Pietro Sammarco
pietro_sammarco@sfu.ca 

Head Preparator  
Mackenzy Albright, MFA (they/them)
mackenzy_albright@sfu.ca 
604–396–6154 

Visitor Experience & Services Manager 
vacant 

Visitor Experience & Services Assistant
vacant 

Curatorial Assistant: Research & Programs 
Joshua Segun-Lean, MA (he/him)

Collections Assistant 
Tracy Ho (she/her) 

Front of House Attendant 
Lily Lê (she/they) 

Collections Assistant Intern 
Amy Dai (she/her)


Advisory Committee 

Daina Augaitis
Chief Curator and Director Emerita at the Vancouver Art Gallery and Independent Curator (External) 

Sabine Bitter
Professor, SFU School for the Contemporary Arts 

Justine A. Chambers
Assistant Professor of Dance, SFU School for the Contemporary Arts 

Jeff Derksen
Professor, SFU Department of English

Peter Dickinson
Professor Director, SFU School for Contemporary Arts (Chair)

Samir Gandesha
Professor, Humanities, and Director of SFU Institute for the Humanities

Elspeth Pratt
Professor, SFU School for the Contemporary Arts


Digital Accessibility Consultant (ongoing) 

Kay Slater 
 

Accessibility and Inclusivity Consultants (2021-22) 

mia susan amir 
Siobahn Barker 
Jotika Chaudhary 
Ada Dragomir 
Raven John 
Kizzy Norris 
Carmen Papalia 
Kay Slater


Submission Policy

SFU Galleries does not program exhibitions through submission. However we welcome artists and curators who wish to update us about their work.

Any materials not accompanied by a self-addressed stamped envelope will not be returned. Do not send original artwork, but do include a current CV, an artist's statement, digital images and details of the documentation.