• Visit
  • What’s On
  • Learning & Research
  • About
  • SFU Art Collection

Closed

Wednesday–Sunday, 11am–5pm

Always Free

Support the Gibson

8888 University Drive

Burnaby, British Columbia

Canada V5A 1S6

778-782-4266

Closed

Wednesday–Sunday, 11am–5pm

Always Free

VisitGetting HereAccessibilityContact
Learning & ResearchUniversity Students & FacultyK–12 LearningKids & Families
What's OnCurrentUpcomingArchive
AboutTeam & GovernanceSupportOpportunitiesFacility Rentals
SFU Art CollectionRecent AcquisitionsPublic Art

special project

on view
Sep 20, 2025–Mar 14, 2026

Common Threads Press

Publisher-in-Residence

A flat lay image featuring two books: "Stitching Freedom" by Isabella Rosner with a colorful embroidered design on the cover, and "Stitching the Intifada" by Rachel Dedman with a green cover and red decorative elements. Surrounding the books are several spools of thread in various colors, including red, yellow, green, and gray, along with a thimble and a wooden spool. The background is a light textured fabric.
Courtesy of Common Threads Press

The Gibson's Publisher-in-Residence program was established to emphasize the important role that small art presses play in creative communities. While many museums and public institutions employ artists- or writers-in-residence, few recognize the unique hybrid role of small arts press publishers, who often operate simultaneously as curators, designers, artists, and editors. Our aim is to connect readers with vital, artist-led, international art presses that might otherwise be difficult to encounter. Publishers-in-residence are selected twice annually by the Gibson’s curatorial team for the alignment of their publishing focus with themes emerging from our exhibition programme.  
 

Founded in 2019 by Laura Moseley, a craft scholar and curator based in Cambridge, UK, Common Threads Press is a small, independent publisher of books and zines that uplift histories of creative work. Common Threads Press publications are written and developed in close collaboration with academics and artists alike, from all around the world, who share a deep love and critical interest in craft histories. Common Threads Press is inspired by and indebted to the rich history of independent, grassroots publishing that centres voices from the margins—spotlighting the political and cultural relevance of crafts that has long been overlooked or dismissed in mainstream publishing. 

Public programming related to the Publisher-in-Residence program, which will begin in Spring 2026, is organized in partnership with SFU Publishing.

Artists

  • Laura Moseley

Contributors

  • Common Threads Press
Online shop


Images (10)

A zine titled "The Norfolk Trans Joy Community Quilt Zine" is displayed against a light blue background. The cover features a collage of various textures and images in shades of blue. It has black handwritten text indicating the title and authors: Alice, Beau, Poppy, and Laura. A heart illustration is also present at the bottom.
A hand holds an open book displaying a page with the title "A QUILT IS A TRANS LOVE LETTER" in bold white text against a blue background. Below, there's an illustration of two characters sitting together, along with accompanying text. The book is positioned above a table covered with various other books related to quilting, activism, and history.
A pair of black scissors lies next to a book titled "Rights Not Charity" by Gill Crawshaw, which discusses protest textiles and disability activism. The book is open to a page featuring a blue illustration with the message "Disabled People Fight Back Equality: Nothing About Us Without Us." Surrounding the book are spools of thread in blue and white on a light blue fabric backdrop.
A flat lay image featuring two books: "Stitching Freedom" by Isabella Rosner with a colorful embroidered design on the cover, and "Stitching the Intifada" by Rachel Dedman with a green cover and red decorative elements. Surrounding the books are several spools of thread in various colors, including red, yellow, green, and gray, along with a thimble and a wooden spool. The background is a light textured fabric.
A person holds four colorful books against their chest. The titles visible include "Mauka to Makai," "Stitching the Intifada," "Many Hands Make Light Work," and "Stitching Freedom." The person is wearing a blue garment, and the background features a wooden floor and blurred furniture.
A person holds a zine titled "The Norfolk Trans Joy Community Quilt Zine." The cover features a pastel background with hand-drawn text in black, and a transgender symbol. In the background, a wooden board displays various colorful sewing threads.
A person holds a book titled "Slow Grown: Plants, Folklore and Natural Dyeing." The book cover features an illustration of hands holding a bowl, with the title in purple lettering. In the background, there is a display of colorful spools of thread arranged on a wooden shelf.
A hand holds a green book titled "Stitching the Intifada: Embroidery and Resistance in Palestine," with a decorative red pattern along the spine. In the background, a wooden shelf displays various spools of colorful thread.
A hand is holding a book titled "Rights Not Charity: Protest Textiles and Disability Activism" by Gill Crawshaw. The cover features a blue illustration of a banner with the text: "Disabled People Fight Back Equality Nothing About Us Without Us." In the background, there is a display of colorful spools of thread arranged on a wooden shelf.
A hand holding the book titled "Stitching Freedom: Embroidery & Incarceration" by Isabella Rosner. The cover features a colorful, stitched ribbon design against a light blue background. In the background, a wooden shelf displays various spools of thread in different colors.

Laura Moseley is currently the Assistant Curator of the Women's Art Collection and a craft researcher based in Cambridge. 

Laura has an BA in History of Art from the University of York, winning the dissertation prize for the thesis 'Indigenous and Modern Textiles: Ancient America in the Work of Anni Albers and Cecilia Vicuna' and an MA from University College London in History of Art, also winning the dissertation prize for the thesis 'A Diary of Touch: Rhetorics of Queer Identity in Contemporary Quilting Practices'.