Abstract artwork featuring a vibrant composition of geometric shapes in various colors, including greens, blacks, reds, and yellows. The shapes are arranged against a textured background, with lines suggesting movement or connection between the elements. The overall effect conveys a dynamic and energetic scene.

Rody Kenny Courtice, Galaxy, 1966, egg tempera and wax varnish on masonite. SFU Art Collection. Gift of Paul Courtice, 2010. 

SFU Galleries

Title

Galaxy

Artist

Rody Kenny Courtice

Year

1966

Medium

Egg tempera and wax varnish on masonite

Collection

SFU Art Collection

Donor

Gift of Paul Courtice

Year Acquired

2010

Galaxy is an abstract painting that reflects the Rody Kenny Courtice's exploration of modernist principles. Courtice, one of the first women to study at the Ontario College of Art under Arthur Lismer, developed a distinctive style that evolved from early representational works to more abstract compositions. Her later works often featured geometric forms and vibrant colors, engaging with themes of pattern and structure. Galaxy exemplifies this phase of her career, showcasing her interest in abstraction and her ability to convey complex ideas through simplified forms. 

Rody Kenny Courtice (1891–1973) was a Canadian painter recognized for her contributions to modernist art. Born in Renfrew, Ontario, she was among the first women to study at the Ontario College of Art under Arthur Lismer, earning scholarships from 1920 to 1924. Courtice's early work was influenced by the Group of Seven, but she later developed a distinctive style that ranged from whimsical to abstract. Throughout her career, Courtice was actively involved in the arts community. She served as an assistant instructor at the Ontario College of Art and taught at various institutions, including the Doon School of Art in Kitchener, Ontario. She was also a member of several artistic organizations, including the Canadian Group of Painters and the Royal Canadian Academy of Arts. Courtice exhibited her work internationally, including at the Tate Gallery in London and the 1939 New York World's Fair.