A large blue pyramid-shaped climbing structure sits on a gravel-lined square in a grassy park. The background features tall green trees and a blue sky with some clouds. The area is relatively empty, emphasizing the unique structure.

Bridge Beardslee, Energy Alignment Sculpture: Pyramid in the Golden Section, 1976, steel and paint. SFU Art Collection. Gift of Ian Davidson, 1977.

ECU Photography
A large blue pyramid-shaped climbing structure sits on a gravel-lined square in a grassy park. The background features tall green trees and a blue sky with some clouds. The area is relatively empty, emphasizing the unique structure.

Title

Energy Alignment Sculpture: Pyramid in the Golden Section

Artist

Bridge Beardslee

Year

1976

Medium

Steel and paint

Collection

SFU Art Collection

Donor

Gift of Ian Davidson

Year Acquired

1977

Produced for an exhibition at the Vancouver Art Gallery and installed at SFU in 1977, Beardslee’s pyramid—an open, tubular steel frame painted cerulean blue—is carefully positioned to align with the rotation of the earth’s axis and the North Star. In both form and spirit, Beardslee’s sculpture is an apt compliment to the adjacent mounded earth pyramid designed by architect Arthur Erickson. Both pyramids were built to resemble the proportions of the Cheops pyramid in Egypt. In its early years the sculpture attracted unlikely controversy. A debate regarding the correct position required to activate the pyramid’s “power” played out in the pages of the student newspaper and students, saw fit on several occasions to “realign” the pyramid — setting it on top of Erickson’s mounded earth pyramid and the previous student union building for example, before it was cemented in its current location.  

Beardslee studied industrial design at the University of Illinois and then moved to California and worked in the Polaris Missile Project at Lockheed.