On View at The Gibson

exhibition

on view
Sep 20, 2025–Feb 15, 2026

Inaugural Exhibition

Edge Effects

A blue-toned portrait of a young man with dark, wavy hair. He has a serious expression, is wearing a tank top, and is adorned with multiple necklaces. The image has a soft, ethereal quality with indistinct edges and varying shades of blue.
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A modern art museum is depicted in the image, featuring a contemporary design with large glass windows and a curved entrance canopy. The structure is surrounded by greenery, including trees and colorful plants. In the foreground, a parking lot is visible with a few people walking and standing near the entrance, while the sky above features soft clouds and a warm glow from the setting sun.
Gibson Art Museum Building Opening Event
event
Patrick Cruz, Sameer Farooq & Jared StanleyEdge Effects
talk
Germaine KohSoupson
special project
Cindy MochizukiArboreal Time
special project
Where Does the Rain Go?Pietro Sammarco with Helena Krobath, Liz Toohey-Wiese and the grade 4/5 students of University Highlands Elementary
special project
A group of four men, all bald, are gathered around a circular, light-colored tray near the edge of a swimming pool. They are dressed in floral patterned shirts and pants, with one man holding a small object. Behind them is a lush, green hedge, and the pool water is visible at the bottom of the image. The setting suggests a warm, sunny day.
Lucien Durey with Hatim Hanafi, Jeremy O'Neill and Mark Wolf
performance
A woman with short hair and glasses gestures expressively while speaking to a group of people. She is wearing a blue top and a pink lanyard. In the background, there is an abstract wall art featuring colorful geometric patterns. The audience is partially visible, with their backs facing the camera.
Family Friendly Exhibition Tours
series
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Programming

special project

on view
Sep 20, 2025–Jun 14, 2026

Common Threads Press

Publisher-in-Residence

A flat lay image featuring two books: "Stitching Freedom" by Isabella Rosner with a colorful embroidered design on the cover, and "Stitching the Intifada" by Rachel Dedman with a green cover and red decorative elements. Surrounding the books are several spools of thread in various colors, including red, yellow, green, and gray, along with a thimble and a wooden spool. The background is a light textured fabric.

series

past
Nov 22, 2025, 11:00 AM–4:00 AM

Open Studio Saturdays

A child is holding a decorated paper plate craft with a beaded handle. The plate features various colorful materials, including shiny and textured elements, predominantly in shades of green, red, blue, and silver. The background shows a classroom setting with tables covered in craft supplies and natural light coming through a large window.

special project

upcoming
Dec 4, 2025, 12:00 PM–1:00 PM

Germaine Koh

Soupson

special project

on view
Sep 20, 2025–Sep 20, 2030

Cindy Mochizuki

Arboreal Time

special project

on view
Apr 5, 2025–Dec 20, 2025

Ogheneofegor Obuwoma

geographies of longing

A spacious interior with gray tiled flooring features a large mural on the wall, depicting a close-up of a person's profile alongside an image of a building in the background. Natural light enters through a window on the left, where a person sits in a gray armchair. The overall atmosphere is modern and minimalist, with neutral color tones.

series

Jan 5, 2026–Apr 4, 2026

Test Kitchen

SFU Researchers: Call for proposals

View All Programming

From the SFU Art Collection

SFU Collection

Perspective

Jack Shadbolt Collection and Copyright

An abstract painting featuring vibrant colors such as reds, yellows, greens, and blues. The composition is divided horizontally, with a band of blue in the center resembling water, reflecting the surrounding warm tones above and below. The brush strokes are textured, adding a sense of depth and movement to the overall piece.
View SFU Art Collection

Recent Acquisitions

Every House I’ve Ever Lived In (Drawn From Memory)

A minimalist artwork featuring a delicate line drawing of a three-dimensional structure, centered on a blank, white background. The drawing is enclosed in a light wooden frame, highlighting its simplicity and emphasizing the intricate geometric forms depicted.

Alex Morrison, Every House I’ve Ever Lived In (Drawn From Memory) Johnson St. Victoria 1989, 2001. Pencil on paper. SFU Art Collection. Gift of Richard J. Balfour, 2024.

Atomic Fountain

An abstract artwork featuring a black background with various geometric shapes in vibrant colours, including red triangles, a blue rectangle, a yellow semi-circle, and a green square. The shapes are outlined in white and arranged in an asymmetrical composition, with horizontal and vertical lines guiding the viewer's eye. The title "Atomic Fountain" and the artist's name, "B.C. Binning," are written in white at the top and bottom corners.

Bertram Charles Binning, Atomic Fountain, 1953 [1994], serigraph on paper, printer’s proof, first edition. SFU Art Collection. Gift of Joan and Leon Tuey, 2023.

Rachel Topham Photography

Sea Drift II and Sea Drift III

An abstract painting featuring a dynamic mix of dark hues, with swirling blacks, reds, greens, and hints of light colors. The composition includes bold brush strokes and layered textures, creating a sense of movement and depth. Areas of contrast suggest fluid shapes and forms, evoking an emotional response.

Gordon Smith, Sea Drift II 1989. Acrylic on canvas. SFU Art Collection. Gift of Joan and Leon Tuey, 2023.

Rachel Topham Photography

who claims abstraction? studies

An abstract artwork featuring vertical stripes in colors like blue, green, orange, and brown. Overlaid on the stripes are large, curved shapes with defined outlines, adding depth and contrast to the composition. The background has a gradient effect, enhancing the vividness of the colors.

Francisco-Fernando Granados, who claims abstraction? study 2, 2023, digital print on paper. SFU Art Collection. Gift of the Artist, 2023.

Rachel Topham Photography

Untitled (Geometric abstractions in red, blue, and yellow)

A black and white photograph features a distorted outline of a figure with multiple arms drawn in neon yellow. The figure is placed over an abstract background that includes a textured surface and draped fabric. The image is mounted on a white mat and displayed against a light blue wall.

Jo Cook, Untitled (Geometric abstractions in yellow), n.d. Gouache on photograph. SFU Art Collection. Gifts of Wesley Mulvin, 2024.

Rachel Topham Photography

Compacted Trash

A large, filled garbage bag is shown, made of translucent blue plastic, tied securely at the top. The bag contains various items, some of which are slightly visible through the plastic. The background is a light, neutral color, emphasizing the bag in the center of the image.

Kelly Wood, Compacted Trash, 2000. C-print. SFU Art Collection. Gift of Richard J. Balfour, 2024.

Bail

A layered, translucent sculpture showcasing a figure in a dynamic pose, appearing to skate or glide. The sculpture is primarily bright neon orange with accents of pink, creating a vibrant and eye-catching effect. The layers are intricately detailed, allowing light to pass through and highlighting the contours of the figure against a soft, neutral background.

Khan Lee, Bail, 2015, laser-cut plexiglass. SFU Art Collection. Gift of Coleen and Howard Nemtin, 2024.

Rachel Topham Photography

Hello!!!

A handwritten note on lined paper, featuring colorful text and a simple drawing of a red flower. The message expresses feelings of boredom and confusion about a relationship, asking for advice on romantic interests. Phrases are highlighted in pink and blue, with some words written in green and yellow. The note concludes with the phrase "nice flower hey!" below the drawing. The overall tone is informal and emotional.

Kyla Mallett, Hello!!!, 2004. LightJet print. SFU Art Collection. Gift of Coleen and Howard Nemtin, 2024.

Rachel Topham Photography

Crise

A stylized portrait of a face against a pink background. The face is predominantly black with thick, white lines creating texture and features. Large, oval eyes with pink irises and a white outline dominate the upper portion, while the mouth is depicted with three horizontal lines, suggesting lips, with a reddish-brown color. The overall composition combines bold colors and abstract forms.

Lyse Lemieux, Crise J1, 2011, ink, acrylic, and gouache on paper. SFU Art Collection. Gift of Ken Stephens, 2023.

Rachel Topham Photography

Domestic Space/Time Travel

A collection of various pottery items is displayed on a white table against a light gray background. The items include a grater, several bottles labeled for different substances (such as olive oil and sea salt), jars, a bowl with a spoon, plates, and small figurines. The pieces vary in shape and size, with some featuring detailed labels and embellishments. The overall arrangement is organized and showcases the artistic craftsmanship of the ceramic objects.

Maura Doyle, Domestic Space/Time Travel, 2012. Stoneware with underglaze. SFU Art Collection. Gift of the Artist, 2024.

Rachel Topham Photography

Proposed Layout for M.D. (Mark Dion)

A book cover featuring a collage of contrasting elements: a white architectural model of a building is overlaid on a chaotic scene of litter and discarded items, including colorful trash bags and cardboard boxes. Two birds are perched above the mess, and the title "PHAIDON" is displayed at the bottom. The background is a neutral wall.

Paul de Guzman, Proposed Layout for M.D. (Mark Dion), 2001, paper. SFU Art Collection. Gift of Robert Sherwood Thill in honor of L.A. Angelmaker's Dear History Correspondence, 2024.

Rachel Topham Photography

Kwagulth Sisiutl Hunter

A circular artwork featuring intricate designs inspired by indigenous art. The central composition showcases a stylized figure with animal motifs, prominently featuring bold black, red, and green colors against a cream background. The outer edge is bordered in dark, enhancing the overall contrast. The artist's signature and a title are included at the bottom.

Tom D. Hunt, Kwagulth Sisiutl Hunter, 1993. Screenprint on paper, edition A.P. 6/20.  SFU Art Collection. Gift of Gwynne Roseborough MEd., 2024.

Rachel Topham Photography

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